In the process of commercial video productions, temporary structures are often built to mimic the real, constructing an ambience of reality romanticized for the lens of consumerism. Such structures are usually torn down immediately after the shoot, in order to make space for the next shoot on the schedule, making their lifespans a matter of days. The photographs serve as image tokens from the process of these set constructions, as well as an exiled currency detached from the system of advertisement productions.
